Luis Rey Senior Advisor ââ“ Liberal Arts Transfer

Detail of Amirah Chatman Heaven's Probably in Phoenix, 2020, chalk pastel on chipboard, Diptych, 44 x 56 inches

Black LIVES MATTER Creative person GRANT EXHIBITION

Featured Artists: AnAkA, Annabelle Araya, Julia Bond, J'reyesha Brannon,…

Add together to my Calendar 2022-04-27 00:00:00 2022-04-27 23:29:25 Blackness LIVES MATTER Artist GRANT EXHIBITION Featured Artists: AnAkA, Annabelle Araya, Julia Bond, J'reyesha Brannon, Amirah Chatman, Steven Christian, Baba Wagué Diakité, Sadé DuBoise, Austin Gardner, Leila Haile, Elijah Hasan, Edmund Holmes, Willie Lilliputian, Latoya Lovely, Aiyana Monae McClinton, Jessica Mehta, Christine Miller, Annie Schutz, Sharita Towne, and Kyra Watkins The Black Lives Matter Artist Grant Program is a multi-university granting projection established by Hashemite kingdom of jordan Schnitzer that has awarded funding to sixty emerging, mid-career, and established artists whose practices demonstrate a commitment to social justice. This granting initiative, which categorically references the Black Lives Matter movement(south), gestures towards the germinating fiscal and intellectual investment in artwork borne out of a standing, centuries-long fight for Black autonomy, liberty, and most notably, life.  The 20 artists selected for the Portland State Academy Black Lives Affair Artist Grant Exhibition stretch the notion of 'socially engaged artwork' across its brief definition, resulting in a collection of objects which require multiple shifts in perspective. Through installation, photography, video, painting, performance, textiles, sculpture, poetry, and printmaking, this exhibition is a microcosm of allied and conflicting political, social, and aesthetic approaches.  Some awardees observe it imperative to apply art every bit a vehicle to depict the horrors of white supremacy by swelling the effects to an unignorable size, request their audience not to plough away. The artwork of other awardees tends to the intricacies of their individual craft, or the richness of fabric civilization. To joy and pleasure, illustrating and narrating a ameliorate globe than this, to the intersections of Blackness, indigeneity, and queerness, to secrecy, and to abstraction.  This exhibition is not only in the wake of a global pandemic, nor the ii years of increased global uprisings and protests in defense of Blackness life, or even centuries of enslavement and imprisonment, just also; in the spirit of Blackness creativity, ingenuity, and collectivity. To learn more about the exhibition and artists visit the exhibition website:  https://sites.google.com/pdx.edu/winter-2022-exhibition/black-lives-matter-artist-grant-exhibition Content for the exhibition was written by Ella Ray, a Portland-based art historian, cultural worker, and curator. Editorial support by Nia Pipkin-Glover. The Black Lives Matter Creative person Grant Program was established past Jordan Schnitzer in partnership with the Jordan Schnitzer Museum of Art at PSU. The program is funded through a generous grant from the Harold & Arlene Schnitzer Intendance Foundation/Jordan Schnitzer.  The Blackness Lives Matter Creative person Grant Exhibition was organized past the JSMA at PSU. Additional funding for this exhibition is provided by Portland Country University President'south Office and the Oregon Arts Commission and the National Endowment for the Arts.   Image Credit: Amirah Chatman, Heaven's Probably in Phoenix (detail), 2020, pastel on chipboard, Diptych, 44 10 56 inches JSMA at PSU 1855 SW Broadway jsma@pdx.edu jsma@pdx.edu America/Los_Angeles public

Image by Jess T. Dugan of Caprice, age 55, from Chicago, IL, taken in 2015

To Survive on This Shore

To Survive on This Shore: Photographs and Interviews with Transgender and…

Add to my Calendar 2022-04-27 00:00:00 2022-04-27 23:29:25 To Survive on This Shore To Survive on This Shore: Photographs and Interviews with Transgender and Gender Nonconforming Older Adults Jess T. Dugan and Vanessa Fabbre Feb 8 – April thirty, 2022 Representations of older transgender people are nearly absent from our culture and those that do be are often 1-dimensional. For over 5 years, photographer Jess T. Dugan and social worker Vanessa Fabbre traveled throughout the United States creating To Survive on This Shore: Photographs and Interviews with Transgender And Gender Nonconforming Older Adults. Seeking subjects whose lived experiences exist inside the complex intersections of gender identity, age, race, ethnicity, sexuality, socioeconomic class, and geographic location, they traveled from coast to declension, to big cities and small towns, documenting the life stories of this important but largely underrepresented group of older adults. The featured individuals share a wide diverseness of life narratives spanning the last ninety years, offering an of import historical record of transgender experience and activism in the United States. The resulting portraits and narratives provide a nuanced view into the struggles and joys of growing older as a transgender person and offering a poignant reflection on what information technology means to live authentically despite seemingly insurmountable odds. Jess T. Dugan is an artist whose piece of work explores issues of gender, sexuality, identity, and community. For the past decade, Jess has photographed people within queer and transgender communities, focusing on the complexities of identity, gender, and sexuality. Jess earned a BFA in photography from the Massachusetts College of Fine art and Pattern, a Chief of Liberal Arts in Museum Studies from Harvard Academy, and an MFA in Photography from Columbia College Chicago. Jess regularly exhibits internationally and has work in several museum collections.  Vanessa Fabbre, PhD, LCSW is an Banana Professor at the Brown Schoolhouse of Social Work and Affiliate Faculty in Women, Gender, and Sexuality Studies at Washington University in St. Louis. Vanessa's inquiry explores the weather condition under which LGBTQ people age well, and what this means in the context of structural forces such as heteronormativity, heterosexism, and transphobia. Her inquiry has been published in the Journal of Gerontology, Social Sciences, Social Work, The Gerontologist, the Journal of Gerontological Social Piece of work, and the Journal of Urban Health.To Survive on This Shore: Photographs and Interviews with Transgender and Gender Nonconforming Older Adults is an exhibition organized by Barrett Barrera Projects. The exhibition is supported in part past the Oregon Cultural Trust.  Learn More: https://sites.google.com/pdx.edu/to-survive-on-this-shore/domicile Image Explanation: Jess T. Dugan, Caprice, 55, Chicago, IL, 2015, courtesy of the artist and Barrett Barrera Projects. © Jess T. Dugan JSMA at PSU 1855 SW Broadway Portland, OR 97201 jsma@pdx.edu jsma@pdx.edu America/Los_Angeles public

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Source: https://www.pdx.edu/

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